Christian Marclay’s exhibition at the White Cube in Bermondsey London celebrates pop art and the era of vinyl records, with a 21st century twist that also includes video, music, noise and film. The exhibition starts in the main corridor where noisy videos show empty glasses, bottles and cans found abandoned on streets in the East End of London which are struck, smashed, rolled and crushed, the noises keeping visitors on their toes as they echo through the other rooms.

Each performance will be recorded live and then pressed as records on site by The Vinyl Factory Press, the world’s first mobile vinyl manufacturing press, which is housed in a shipping container in the gallery for the duration of the exhibition. Following its debut at White Cube, The Vinyl Factory Press will travel to other events and cultural institutions in the coming months.