Entre el 14 y el 17 de de noviembre se dará en Insianápolis el 58º encuentro de etnomusicología. Para las personas interesadas, SEM ofrece un servicio de Streaming, que dado el cambio de horario  se reduce un poco para Europa. Hemos hecho el mínimo esfuerzo de cambiar las horas en la lista a continuación, aunque también puede verse en este enlace que hora es allí en cada momento. Si alguna persona está realmente interesada, y le dicen algo todos estos nombres, tiene charla para todo el fin de semana. Así que pegamos aquí la lista de intervenciones que podrán verse en streaming, con las horas cambiadas al horario europeo.

Thursday, November 14

3:30 – 5:30
Indiana Ballroom – F
Music and Evolution
Chair: Judith Becker, University of Michigan

Live URL &Archive URL

3:30 The Evolutionary History of Human Musicality: Empirical Approaches

Aniruddh Patel, Tufts University

4:00 Mediating Social Uncertainty: Music as Communicative Social Interaction

Ian Cross, University of Cambridge

4:30 Cultural Evolution of Music

Patrick Savage, Tokyo University of the Arts

5:00 General discussion

5:45 am – 6:15
Indiana Ballroom – F
Film Music
Chair: Nilanjana Bhattacharjya, Arizona State University
Live URL & Archive URL

5:45 Tracing Musical Cosmopolitanism in 20th-Century Bengal: The Case of «Baajey Koruno
Shurey”

Suddhaseel Sen, Presidency University, Kolkata (India)

6:15 Re-sounding the Mexican Revolution: Music and Changing Conceptions of the Revolution in
Contemporary Mexican Cinema

Jacqueline Avila, University of Tennessee

6:45 Don’t Tell Me How to Listen: The Music of North American Observational Cinema

Benjamin Harbert, Georgetown University

8:45 – 10:45
Indiana Ballroom – F
Experimentalism in Latin America
Chair: Alejandro Madrid, Cornell University

Live Streaming & Archive URL

8:45 From Sounds of the Cosmos to Neo-Indigenist Happenings: The Reinvention of Sonido 13
at the End of the 20th Century

Alejandro Madrid, Cornell University

9:15 Transgressing the Streets of Mexico City: The «Renovative Destruction” of Collective
Improvisation

Ana R Alonso-Minutti, University of New Mexico

9:45 From Tango Nuevo to Avant-Garde: Disenchantment with the Fringes of Music Making

Eduardo Herrera, Rutgers, The State University of New Jersey

10:15 Discussant

Benjamin Piekut, Cornell University

11:00 – 12:30
Indiana Ballroom – F
Technologies and Remixes
Chair: Rene Lysloff, University of California, Riverside

Live Streaming & Archive URL

11:00 Where Does this Cable Go?: Guitar Amplifiers, Instrumentality, and Sonic Ecology

David VanderHamm, University of North Carolina, Chapel Hill

12:30 A Tribe Called Red: Reversing Stereotypes Through Remix

Christina Giacona, University of Oklahoma

12:00 Remix<->Culture: A «Fair Trade” Approach to Remixing Field Recordings
Daniel Sharp, Tulane University

Friday, November 15

11:00 – 12:30
Marriot Ballroom – 5
New Perspectives on Ethnomusicology
Chair: Timothy Rice, University of California, Los Angeles

Live URL & Archive URL

9:00 Quantum Ethnomusicology?: Meditations on «Objective Aesthetics” in World Music

Michael Tenzer, University of British Columbia

11:30 Biography, an Emergent Genre in Ethnomusicology

Lois Wilcken, La Troupe Makandal, Inc.

Saturday, November 16

3:30 – 5:30 am
Indiana Ballroom – F
Revolution and Song: Exploring Martyr Music of the Egyptian Spring
Chair: Carolyn Ramzy, University of Toronto

3:30 The Social Power of «Shahid” (Martyr) Metaphors in Music Videos Produced by Football
Fan-activists in Egypt’s 2011-12 Revolution: A Durkheimian Perspective

Michael Frishkopf, University of Alberta

4:00 To Die is Gain: Singing a Heavenly Citizenship among Egypt’s Coptic Christians

Carolyn Ramzy, University of Toronto

4:30 The Martyr Pop Moment

Daniel Gilman, DePauw University

5:00 Women and Music in the New Arab Revolutions: Bereavement, Pride, and Empowerment

Guilnard Moufarrej, Defense Language Institute

5:45 – 6:15 pm
Indiana Ballroom – F, Live Video-Streaming
Indigenous Movement, Sound Activism
Chair: Dylan Robinson, Royal Holloway, University of London|

Live URL & Archive URL

5:45 The Sensory Politics of Hope and Shame: Being Idle No More

Dylan Robinson, Royal Holloway, University of London

6:15 The Round Dance as Spiritual and Political Vortex

Elyse Carter Vosen, The College of St Scholastica

6:45 Ear Cleaning and Throat Clearing: Aurality and Indigenous Activism in Canada

Lee Veeraraghavan, University of Pennsylvania

Sunday, November 17

3:30 – 5:30
Indiana Ballroom – F
Cultural Policy, Heritage Protection, and the Performing Arts: Perspectives from Haiti, Mexico, and the Republic of Korea
Chair: Jeff Titon, Brown University

3:30 From Occupation to Earthquake: The Challenging Terrain for Intangible Cultural Heritage
Protection in Haiti

Rebecca Dirksen, Massachusetts Institute of Technology

4:00 Cultural Policy or Cultural Consumption?: Early Stages of Mariachi Music as Intangible
Cultural Heritage in Mexico

Leticia Isabel Soto Flores, Escuela de Mariachi Ollin Yoliztli en Garibaldi

4:30 Staging the Elderly: The Impact of Cultural Policy on the Age of Performers

CedarBough Saeji, Hankuk University of Foreign Studies

5:00 Discussant

D. Sonneborn, Smithsonian Institution

5:45 am – 7:15 pm
Indiana Ballroom – F
Discourses, Histories, and Transpositions in East African Music and Expressive Culture
Chair: Matthew Morin, Dixie State University

Live URL & Archive URL

5:45 Permutating Development Discourses: Music Initiatives, Musicians, and Entrepreneurs in
East Africa’s NGO Sector

Matthew Morin, Dixie State University

6:15 Musical Regalia, Kingship, and Oral History in Buganda, Uganda
Damascus Kafumbe, Middlebury College

6:45 The Benga Boom and Role of Luo Musicians in Transforming Kenya’s Ethnically Fractured
Recording Market

Ian Eagleson, Central Connecticut State University